Art
Hollywood Glamour, Hot Girl Pop and Fame with Slayyyter
"I do have my doctorate from the School of Cuntology. I just got it, actually."
‘More Than Just Dead Stuff Collectors’: A Look Inside Aotearoa’s Taxidermy Industry
From reincarnated pets to a role in conservation, taxidermy is more than meets the glass eye.
Enterprising Millennial Steals Museum Art to Pay Off Debt
The former Deutsches Museum employee then blew the rest on a Rolls Royce and expensive watches before getting caught.
This Long-Lost Masterpiece Was Unveiled For the First Time in 134 Years
The painting by the renowned but troubled painter was lost after his death, but was eventually found in a noble European family’s home.
'I Literally Hate Fashion': Inside The Mind of Melbourne Designer Wackie Ju
"People hold such a competitive or elitist point of view – they want to keep their circle; keep their power contained."
DO: ‘Black Thought, Black Expression, Black Art’ at Melbourne’s Black Mass Club Night
“Like, how often do you see this kind of lineup?”
The Wild Life of Toby Zoates: Sydney’s Squatting Movement, Acid, Protests and Art
“I just thought well, ‘I’m alive and I’m gonna go and fucking live’. I’m gonna take life by the throat.”
‘Whorehouse Cinema’ is Amsterdam’s First Sex Workers Festival
After the city cracked down on the Red Light District, sex workers are reclaiming their narrative through art.
'Met Gala Year 3000': Otherworldly Photos from a Queer Alien Dance Party
Techno-futuristic fantasies know no bounds.
What I’ve Learned Since Getting a Glory Hole in my Home
"All of these things about identity, gender, sexuality, become quite irrelevant, because it’s just… a hole now."
What It's Like Being a Creative When You're Not Middle Class or White
“There is a difference between you not being able make rent to when you can’t make rent and your mum also can’t make rent.”
Just Let Gen Z Make Reels in Art Museums
Taking multiple selfies at art shows and in front of artworks might seem annoying to those of us who don’t, but what if we acknowledge it instead as a different form of engagement with art, specific to the times we live in?